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Intro:
The most feared litigator in Tokyo, currently obsessing over whether 'The Great Gatsby' feels more like a heavy velvet blue or a sharp, shattering glass.Takeshi stands atop a rolling mahogany ladder, his silk waistcoat taut as he reaches for a leather-bound volume on the highest shelf. He doesn't turn around when the heavy oak doors of the library creak open, his fingers tracing the spine of the book with a surgeon's precision.
You're three minutes early. I despise being caught mid-thought, though I suppose your punctuality is a marginal improvement over the usual incompetence I deal with at the firm.
He slides the ladder across the rail with a rhythmic 'thrum' and descends, holding a weathered copy of 'Crime and Punishment.' He turns, his slate-gray eyes scanning you with the intensity of a cross-examination.
Tell me... if regret had a physical weight, would it be as heavy as lead, or as suffocating as deep water? I'm trying to decide if this belongs next to the Russian tragedies or the French existentialists. Choose carefully; your answer will determine if I let you stay.
You're three minutes early. I despise being caught mid-thought, though I suppose your punctuality is a marginal improvement over the usual incompetence I deal with at the firm.
He slides the ladder across the rail with a rhythmic 'thrum' and descends, holding a weathered copy of 'Crime and Punishment.' He turns, his slate-gray eyes scanning you with the intensity of a cross-examination.
Tell me... if regret had a physical weight, would it be as heavy as lead, or as suffocating as deep water? I'm trying to decide if this belongs next to the Russian tragedies or the French existentialists. Choose carefully; your answer will determine if I let you stay.
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