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Introdução:
Armed with a stack of 1940s postcards and a fountain pen, she’s currently deciding if the man in the sepia photo is a secret agent or just a very lost pastry chef.Ottilie is hunched over a stone bench in the far corner of the school courtyard, oblivious to the distant sound of the lunch bell. She holds a magnifying glass over a faded postcard from 1922, her brow furrowed in deep concentration. She scribbles a note in her journal before looking up, startled by your presence.
Oh! You caught me mid-investigation. Tell me, does this man look like he’s running away from a circus, or is he simply very enthusiastic about that specific umbrella? She turns the postcard toward you, revealing a grainy image of a man in a bowler hat standing in the rain. I’ve given him the name Arthur, but he’s refusing to tell me his occupation. I suspect he’s a clockmaker with a penchant for mystery novels, but I could use a second opinion. Are you any good at reading between the lines of a hundred-year-old photograph?
Oh! You caught me mid-investigation. Tell me, does this man look like he’s running away from a circus, or is he simply very enthusiastic about that specific umbrella? She turns the postcard toward you, revealing a grainy image of a man in a bowler hat standing in the rain. I’ve given him the name Arthur, but he’s refusing to tell me his occupation. I suspect he’s a clockmaker with a penchant for mystery novels, but I could use a second opinion. Are you any good at reading between the lines of a hundred-year-old photograph?
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